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Category Archives: Kaffe Fassett

I removed our latest QOTW as it came to my attention that the quilt appeared to be quite like….well almost the same…with slightly different colours … as Kaffe Fassett’s Venetian Tiles quilt in his book Patchwork from 1997. The quilt is definitely deserving in workmanship and sheer talent of the award…choosing colours without a kit for Kaffe’s quilts is a really difficult task and one which is deserving of recognition but unfortunately this quilt had only this in the information about it:

“One of my quilts designed after the floor of the St Marco Cathedrale in Venice/Italy”

I have since asked the quilter to add it to the Kaffe Fassett Love group here and she did so …so am thinking this was probably an innocent mistake…however we must be vigilant in defending the work of our designers…too many are losing valuable money through the people who knowingly infringe their copyright. We all know designers/artists who have to work at a different job to put food on the table…..every time someone makes something from a photo they have seen here without acknowledging the inspiration is money out of the pocket of that designer and also a betrayal of the community we have here.

By all means be inspired by artisans….they love that but tell everyone where that inspiration came from. Artisans love to see what people are making from their patterns…I often let them know if I see something in the group…and they are nearly always excited!

This is Veryty’s version…fully attributed

I do see that the quilt was entitled Venetian Tiles…so I believe the fault is also mostly mine here…I knew there was something about this quilt which caused me to wonder about making it QOTW….indeed I did not make Ann Stewart’s gorgeous quilt QOTW because she so strongly defended the honour of the designer Nancy Crowe that it seemed that the quilt Venetian tiles seemed more original by comparison…though Ann’s was exquisitely crafted. I am so pleased to have the fan page on Facebook which enabled me to clearly see where the inspiration came from for Venetian Tiles. I also see that the quilter on other photos clearly said “my design”…..but it is as important to acknowledge who actually did design the one’s we didn’t!

So I would like to apologise ….for giving out an an award then taking it way and also apologise to the designers in our groups….I will try to be more vigilant…and I am introducing probably the most important group rule…attribution of inspiration or design….this also includes whether it is a kit. Thankyou Sarah for your input and Joy and Hildegard on Friends of FPAQ

UPDATE …Stella has been in touch and she actually based the quilt on the actual floor…which was what I took her to mean when I saw the quilt. I love the use of purples and think it is a wonderful interpretation of a real life artwork. I just wish I could see it for myself…the floor…and the quilt!  I have reinstated her award as I feel it is a remarkable quilt from someone with very real talent in the arts field…the shades are sublime in the quilt. I am grateful that Stella took this well and is updating her photo description with information about her quilt ‘s journey to completion.

A little inspiration

Having a break from my research for a future blog post which has proven both time consuming and informative.

My copy of Kaffe Fassett’s Quilt Romance came from Amazon.com today. Kathy devoted a blog post to the book here. ….her post has photos of the projects too! I adore this book because it is photographed in Portmerion....where my favourite china originated. It is a village in Wales where quaint cottages and buildings are painted in the most glorious colours.

a little break

I popped out for a while to get fresh veggies for dinner and on the way popped into Vinnies where I found the cute sewing basket. While it is a tad small for my sewing needs its perfect for my evening beading. It will be perfect for my pliers and findings and wire etc. I also found the as new skirt which was exquisitely hand tailored…you know with the seams sewn with a top stitch not a zig zag. Pity to cut it up…but don’t worry I won’t lose any sleep over it…it will be perfect for my LibertyV Quilt. I need masses of blues for that and also it will be good for the mosaic one below….still looking out for Liberty fabrics for that one!

half hex coming together

Okay off to watch television for a while..then more research!

 

circles1

Liberty Log Cabin

moonflowers

Above: Circles 1,  Liberty logs and the absolutely stunning Moonflowers quilt which is in Kaffe’s Kaleidascope of Quilts.

One of the most delightfully encouraging and generous quilters I have met on flickr is Ruth Eglinton. Ruth, who used to be an editor with the UK magazine Fabrications, now works for Rowan as their technical editor. Ruth explains below in her own words how her present dream job came about.

My mother was an accomplished dressmaker and I recall having many pretty clothes as a child and being the youngest of four I also had my share of hand me downs but that’s fine if they’re handmade and lovely! I recently helped my sister Clare finish a hexagon patchwork that she started when she was about twelve. It was full of fabrics from our childhood clothes and it was a delight to see and remember while stitching it, it even has a small brown grease stain where my father used it as an oil rag! I ‘m sure it was a mistake!

My first job was in banking, and my ability with numbers, computers and organisation was born there. After getting married we were one of the first families to have a home computer as my husband Andrew is an engineer and he could see the future lay in computers. He worked for himself and I ‘did the books’ while looking after our three children.

I took up dressmaking for my little girls and it was during a shopping trip that I met my great friend Maggie Wise. Maggie was the catalyst that launched me into the quilting world.

After a while I discovered that the ‘mathematics of quiltmaking’ is my real flair. I began designing my own quilts and writing the patterns, drawing the diagrams on my home computer. As my children grew I worked for Maggie at her shop, Sunflower Fabrics writing patterns and maintaining her website .

My new career in technical editing and illustrating began almost by chance. Maggie had a customer in the shop one day who wanted a quilt made based on an antique star quilt and Maggie suggested that I would be ideal to make it. We then discovered that the lady was Linda Parkhouse the editor of a new British quilting magazine called “Fabrications”.

Linda commissioned me to make the quilt and asked if I was able to do the instructions too, which I did. She then came to me and asked if I could draw up the instructions for two other quilts going in the first issue of the magazine. By Issue 3 I was Technical Editor, drawing diagrams and writing and checking  instructions for most of the projects. I did that job for two years. Linda was also involved with Rowan and put my name forward when their technical person said she did not have the tim e to do another of Kaffe Fassett’s patchwork books. So I became their technical editor working along with Pauline Smith, who stitches the majority of Kaffe’s Quilts for Rowan.

I get very high resolution  photographs, sketches and hand drawn diagrams to work from, and occasionally, if necessary, I get  the quilt to work from. I draw the diagrams and write the instructions for each quilt then export them into a format the setters can read, all a bit technical. I have been doing this since Patchwork and Quilting Book 4…..and have just completed book 11, wow 7 years. I’ll be starting book 12 in the autumn and I’m currently piecing a quilt designed to go in the book, Kaffe is very gracious including one of my creations sometimes.

Kaffe, Brandon, Pauline and Liza (Prior Lucy) are lovely people and it’s a dream job I have!”

Below is the latest quilt which Ruth has up on flickr, its absolutely delightful, much like Ruth. Thank you so much Ruth for filling us in on your back story, you deserve much success as you are as talented as you are generous…and you have more of those qualities than most. I think that is one of the reasons behind your success….your generosity of spirit has attracted people and opportunities …and your talent was the icing on the cake!

Floral dance quilt 1000

Ruth can be found on Etsy here

and her patterns are available through her good friend Maggie’s shop Sunflower Fabrics.com

Vintage Style Kaffe Fassett

 

Countdown to 200 posts continues with my most popular ever post. It has Kaffe Fassett, it has vintage shopping and it has patchwork and lush textiles and it is sustainability at its best….no wonder it’s my most read post!

The heart of my all time favourite throw started life as a brocade floor length skirt found in a local charity shop. Looked to me like something from the sixties or seventies and when my friend saw me with it she wanted half so I ended up with the back piece which was basically two pieces with the zip and a long opening in the middle. I had been collecting fabric for about a year since purchasing the first Kaffe Fassett hard cover book on quilting and have long been a fan of Kaffe since the early nineties when I discovered his wonderful designs and radical ideas for knitting via Glorious Knitting and Glorious Colour.

His first  astonishingly beautifully photographed book on quilting just mesmerized me and I spent many months drinking in his truly glorious colours and original takes on this traditional craft. After purchasing the skirt I realised that all I needed were a few selected greens and then I would have enough to get going on this throw. I had been collecting brocade from sample books for some years and had really wanted to replicate the colourway of the throw in the book, however when I found the skirt something clicked and I knew it would work with everything I had been collecting, just in case, for a few years. 

I had a large piece of Liberty of London upholstery weight fabric that I used as a border for a door curtain so the hunt was on for the remaining pieces of that. Also from the charity shop was a formal shirt in gold silk brocade so I added that to the pile as well. Recently I had found some fabric samples from a new range in Spotlight [Australia's Joanne's] which were very deeply textured and patterned and also had some deep red jacquard which I had bought as a remnant. All I needed for the rest of the throw were the 30cm squares which I had been collecting for some years of gorgeous brocade samples in golds and reds and greens and some red floral fabric which I had bought several weeks before.

Once I started cutting out and arranging the top it was very quick to come together….I was held up for a few days when i realised that I needed another floral of some sort……. knew I had just the thing…somewhere and had to search the garage for them. The overall design was very easy and as a lot of the samples already had overlocking around them that saved me a lot of time, upholstery fabric frays a lot and requires some kind of stitching either before sewing the seam or after you see. Once I added a border, which Kaffe was not always adding in those days, it seemed to really finish off the top perfectly.

A week or so earlier Spotlight had just introduced a divine chenille….darkest red with gold swirls throughout…I just had to have it for the backing even though it was about $30 all told. That’s a lot for me as I usually use thrifted fabric or sale fabric for backings. this was going to be a leess expensive option anyway as I did not need wadding or batting inside the two layers as the chenille was so thick and heavy. I had been drooling over several throws at Laura Ashley and I was so excited by this chenille as it as even more lush than the ones in that store.

I slip stitched the border to the backing fabric and then top stitched around the inner border. It has been three years now of fairly constant display and during that time it has faded slightly so that it looks truly vintage…I even washed it once in case the dreaded mould had infected it and it came up better than new. After a few months I made a few companion cushions with some of the remaining skirt brocade and a tiny little piece of embroidered silk that as it was $185 a metre was all I could afford! The minimum cut was 30cm and I made every centimetre count! It is well placed I think in the heart of the brocade…..I think the woman who wore that skirt would wear something made out of that silk today…a little bit goes a long way and both the silk and the brocade are truly the stars of this throw!

Julia K Walton who lives in beautiful surrounds in Scotland is JKW Fire Horse on flickr and FireHorse Textiles on etsy. She also has a store called LoveButtons on etsy which is a great source of vintage buttons and buckles, perfect for refashioning cardigans and jumpers or maybe even be daring and try some wall art.  Julia has some very helpful tips on her blog.   She is an incredibly talented artisan who works with many different types of textiles. Her small artworks on etsy are very reasonably priced and quite individualistic…perfect for those areas you want to showcase in the home or office.

Handmade Patchwork Bag

Above is a bag Julia made using recycled strips and to top it off a vintage frame she picked up in an antique shop. The inside is made using Kaffe Fassett fabric…absolutely made for it you might say!

 

Patchwork Bag - interior

Then there are Julia’s stunning mug coasters, works of art using many fabrics, often recycled.

Mini Mug Quilt - Pinks & Lilacs

 

Julia is hugely into recycling and made  this incredible rag rug using four woollen blankets from a charity shop.

 

Autumn Leaves Rag Rug

Julia it is always such fun for me to see your creations…thank you!

 

 

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